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Dammit I'm Mad

by Dammit I'm Mad

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1.
Flute Mayhem 02:03
2.
3.
Hoofprints 01:52
4.
Elk Tree 04:02
5.
Brylkräm 02:18
6.
ballad 04:14
7.
C7++ 02:13
8.
9.
10.
Pink Future 02:01
11.
Röda Linjen 03:40
12.
1000 04:42

about

Within the 2 minutes and 4 seconds of opening track ‘Flute Mayhem’ the spirit of Dammit I’m Mad is succinctly contained: expansive chords, meandering guitar lines, deafening noise, ambient textures glitchy samples and playful, pounding drums. Singles ‘Atomic Spectroscopy’ and ‘Hoofprints’ both punch in at similar frenetic pace whilst ‘Elk Tree’ and ‘ballad’ bring the tempo down a touch and introduces synthetic textures whilst retaining a sense of euphoria and ending in a wonderful growth - particularly the case with ‘Elk Tree’.

Elsewhere on the album, the opening riff of ‘Brylkräm’ echoes Queens Of The Stone Age, ‘Dammit I’m Dad’ touches on slacker rock - albeit at break-neck pace - and album closer ‘1000’ points to a more introspective side of the duo. The imaginative debut album from Dammit I’m Mad spans influences from Lightning Bolt to Deerhoof, from Animal Collective to White Denim whilst never resting anywhere so long as to quite put your finger on it.

Dammit I’m Mad’s self-titled debut album sonically explores many artistic expressions. It incorporates the struggle between retro-futuristic sounds and contemporary mixing techniques, synthetics and acoustics, randomized patterns and thoroughly composed arrangements, mechanical grids and the space in between.


In the words of experimental music pioneer Rafael Toral, ‘It’s humour but it’s not funny’. This quote exemplifies all that is great about Dammit I’m Mad - their music is complex but never pretentious; playful but not throwaway.
- Ace Tunes

credits

released February 27, 2019

All songs composed, performed, produced, recorded and mixed by Dammit I’m Mad.

Dammit I’m Mad are
Anton Toorell - Guitar etc.
Christian Augustin - Drums etc.

Guest appearances by
Peder Simonsen - Tuba & Moog (1, 4, 5, 6, 7, 8 )
Edvin Nahlin - Synthesizers (4, 12)
Lars Horntveth - Lap steel (4)
Petter Kraft - Saxophone (5)

Recorded at Palazzo Stabile, Piedmont, Italy, September 2017
Mastered by Magnus Lindberg at Redmount Studio, Stockholm
Vinyl lacquer cut at Abbey Road Studios, London
Artwork by Johan Toorell
Photos by John Arthur
Masks by Elsa Wikander

license

all rights reserved

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about

Dammit I'm Mad Stockholm, Sweden

“Avant pop seemingly beamed in from another dimension" - Clash Magazine

“This is certainly an excellent slice of math-pop” - Gig Soup

“This is that Scandinavian pop at it’s finest.” - Fecking Bahamas

“They recall the wild art rock of Deerhoof, only Dammit I’m Mad let the instruments do all the talking.” - Loud and Quiet
... more

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